My audiovisual practice revolves around the idea of pluralistic audiovisual paradigm where sound and image are of equal importance and where most compositional decisions are made on a basis of cross-fertilization between both modalities. Therefore in my work both image or sound can either lead or follow. Also, as it is often the case, I work with real-time audiovisual objects where 3D geometry movement generates sounds, rhythms or colours. Different audiovisual relationships and hierarchies hence co-exist in my work and I try to exploit them as a compositional parameter.
For more information about my work please see the following links:
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