[Texto disponible solo en inglés] http://vimeo.com/june74
http://www.fabriziopoce.com/
Programmer & performer (a two-headed monster), Fabrizio works using only self developed tools.
He creates 3D geometries and generative audio-driven visuals in real time and plays with them as if they were musical instruments.
Most of his work is based on programming his own tools using Max/MSP/Jitter on top of Ableton Live (V-Module environment in Max for Live), melting together sequencing, automation, patching, java and graphic shaders: a combination which allows him to perform "code"...[Texto disponible solo en inglés] http://vimeo.com/june74
http://www.fabriziopoce.com/
Programmer & performer (a two-headed monster), Fabrizio works using only self developed tools.
He creates 3D geometries and generative audio-driven visuals in real time and plays with them as if they were musical instruments.
Most of his work is based on programming his own tools using Max/MSP/Jitter on top of Ableton Live (V-Module environment in Max for Live), melting together sequencing, automation, patching, java and graphic shaders: a combination which allows him to perform "code" with extreme control and freedom and which he is trying to push towards uncharted territories.
Everything, always, rigorously, 100% REAL-TIME.
http://www.fabriziopoce.com/
Programmer & performer (a two-headed monster), Fabrizio works using only self developed tools.
He creates 3D geometries and generative audio-driven visuals in real time and plays with them as if they were musical instruments.
Most of his work is based on programming his own tools using Max/MSP/Jitter on top of Ableton Live (V-Module environment in Max for Live), melting together sequencing, automation, patching, java and graphic shaders: a combination which allows him to perform "code"...[Texto disponible solo en inglés] http://vimeo.com/june74
http://www.fabriziopoce.com/
Programmer & performer (a two-headed monster), Fabrizio works using only self developed tools.
He creates 3D geometries and generative audio-driven visuals in real time and plays with them as if they were musical instruments.
Most of his work is based on programming his own tools using Max/MSP/Jitter on top of Ableton Live (V-Module environment in Max for Live), melting together sequencing, automation, patching, java and graphic shaders: a combination which allows him to perform "code" with extreme control and freedom and which he is trying to push towards uncharted territories.
Everything, always, rigorously, 100% REAL-TIME.
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