Especificaciones técnicas
[Texto disponible solo en inglés] Year: 2026
Medium: Generative AI in ComfyUI
Blood & Ink is an AI animation series by Francesca Fini that originates from a deeply personal archive of drawings, physical and digital collages, performance sketches, and unfinished drafts. Rather than asking artificial intelligence to reproduce a recognisable style, Fini uses it as a means of entering into dialogue with the material qualities of her own visual practice: the spontaneity of the gesture, the dust of graphite, the uneven texture of paper, scratches, imperfections, erasures, and accidents.
The work develops through a process of continuous transformation. Images do not simply replace one another but appear to emerge from their own material traces: paper overlaps, marks disappear and return, forms hesitate, dissolve, and are redrawn. Through dense and layered prompting, the artist deliberately resists the seamless transitions often associated with generative imagery, preserving instead a sense of friction, fragility, and physical imperfection.
The series consists of three episodes — Time, Home, and The Crow — each organised around a different symbolic nucleus. A woman wears a clock as a face; another carries a fragile cardboard house on her head; elsewhere, a female figure progressively hybridises with a crow. Across these transformations, bodies, objects, memories, and symbols continuously lose and reconstruct their identities, as though each image already contained the possibility of the form that follows it.
At the centre of Blood & Ink is the female body, understood not as a fixed figure but as a surface of continuous transformation. Identity remains unstable and constantly becoming, while graphite, paper, drawing, and digital generation appear to belong to the same shifting organism. The distinction between handmade and generated imagery progressively becomes less important than the process connecting them.
The encounter with artificial intelligence thus becomes, paradoxically, a way for Fini to rediscover the most physical and vulnerable dimension of her own gesture. Instead of eliminating error through technology, Blood & Ink preserves it as a generative force: a fracture capable of producing unexpected forms and opening new possibilities within the artist’s own visual imagination.