The Clavicula Conversations

[Texto disponible solo en inglés] Nomen est omen, this performance has an origin inside the body. Zanshin actually broke his collarbone and was unable to use his regular tools for some weeks.

Using only a tablet to play around with samples and snippets of piano and other instruments he tried to come to terms with a situation where he could barely move without pain.

So he decided to make a performance centered around the implications of the state of breaking bones. In the beginning there is smooth sailing like in the state of still being completely unharmed, evolving into moments of splintering and cracks. A journey with accidents and restructuring, destruction and recovering, flow and disruption.