[Texto disponible solo en inglés] insert TextPierce Warnecke has been creating digital material since his studies
at Berklee College of Music. Attracted equally to image and sound,
he develops modules to forge his own audiovisual elements. He is
inspired by the interactions between humans and machines, scien-
tific research and complex data structures, and pushes to develop
alternate ways of integrating sound, video, light and data into per-
...[Texto disponible solo en inglés] insert TextPierce Warnecke has been creating digital material since his studies
at Berklee College of Music. Attracted equally to image and sound,
he develops modules to forge his own audiovisual elements. He is
inspired by the interactions between humans and machines, scien-
tific research and complex data structures, and pushes to develop
alternate ways of integrating sound, video, light and data into per-
formance/installation contexts.
He has worked as a programmer for installations and interactive
projects in the US, France and Germany, and also works as a sound
designer and electronic musician in France where he currently re-
sides.
Employers (France):
Arturia, XLR Project, Groupe Dunes
Festivals:
Audio: Mal au Pixel, ISI, Visionsonic (France)
Video: Boston Cyberarts Festival (USA), Optica (Spain), Nuits
Blanches Paris (France), EMAF (Germany).
Concerts:
Berlin (Staalplaat, Mme Claude, Wendel), Paris, Marseille, Lyon,
Geneva (w/ Phill Niblock), Brooklyn (Monkey Bar, Public Assembly),
Dallas, Miami, Austin (SXSW Interactive).
at Berklee College of Music. Attracted equally to image and sound,
he develops modules to forge his own audiovisual elements. He is
inspired by the interactions between humans and machines, scien-
tific research and complex data structures, and pushes to develop
alternate ways of integrating sound, video, light and data into per-
...[Texto disponible solo en inglés] insert TextPierce Warnecke has been creating digital material since his studies
at Berklee College of Music. Attracted equally to image and sound,
he develops modules to forge his own audiovisual elements. He is
inspired by the interactions between humans and machines, scien-
tific research and complex data structures, and pushes to develop
alternate ways of integrating sound, video, light and data into per-
formance/installation contexts.
He has worked as a programmer for installations and interactive
projects in the US, France and Germany, and also works as a sound
designer and electronic musician in France where he currently re-
sides.
Employers (France):
Arturia, XLR Project, Groupe Dunes
Festivals:
Audio: Mal au Pixel, ISI, Visionsonic (France)
Video: Boston Cyberarts Festival (USA), Optica (Spain), Nuits
Blanches Paris (France), EMAF (Germany).
Concerts:
Berlin (Staalplaat, Mme Claude, Wendel), Paris, Marseille, Lyon,
Geneva (w/ Phill Niblock), Brooklyn (Monkey Bar, Public Assembly),
Dallas, Miami, Austin (SXSW Interactive).
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